“Lovely songwriting and arrangements”
— The Boston Globe
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Bios
MICRO BIO (67 words)
Arielle Silver's songs have the heart of Laurel Canyon, the pulse of Americana, and the soul of the Chelsea Hotel. On the wings of a killer 2019 crowdfunding campaign, after a decade hiatus she heads to the studio with new songs inspired by fire, lights, and love. Her fourth album, A THOUSAND TINY TORCHES, comes out early 2020.
SHORT BIO (180 words)
Arielle Silver's powerful vocals and stirring songs have the heart of Laurel Canyon, the pulse of Americana, and the soul of the Chelsea Hotel.
On the wings of a wildly successful 2019 crowdfunding campaign, after a decade hiatus, Silver heads back to the studio this summer with a collection of songs inspired by California, love, loss, and growing older. Teaming with producer/songwriter Shane Alexander, engineer Brian Yaskulka (Lisa Loeb, The Rescues), Denny Weston Jr. (KT Tunstall, Michael Kiwanuka, Goldfrapp), Darby Orr (Kevin Fisher, Gary Myrick), Carl Byron (CALICO the band), A THOUSAND TINY TORCHES is expected for release in early 2020.
Prior to her move to Los Angeles, Arielle toured extensively through New England, the mid-Atlantic region, and nationally. Featuring what The Boston Globe called, “Lovely songwriting and arrangements,” the lush harmonies on Arielle Silver's last two albums, SOMETHING PRETTY SOMETHING TRUE and ON THE DASHBOARD OF A SHAKY CAR, have been broadcast on AAA/college radio, and licensed nationally and internationally for film/TV. She has performed for song lovers in house concerts, acoustic listening rooms, and festivals across the U.S.
Also an essayist and poet, Arielle’s literary work has been nominated for the Pushcart Prize, Best New Poets, and more, and has appeared in Matador Review, Moment, Lilith Magazine, Under The Gum Tree, Brevity, Jet Fuel Review, among others. Find her on all the socials and at www.ariellesilver.com
LONGISH BIO
Powerful vocals and songwriting with the heart of Laurel Canyon, the pulse of Americana, and the soul of the Chelsea Hotel.
On the wings of a wildly successful 2019 crowdfunding campaign, after a decade hiatus, Silver heads back to the studio this summer with a collection of songs inspired by California, love, loss, and growing older. Teaming with producer/songwriter Shane Alexander, engineer Brian Yaskulka (Lisa Loeb, The Rescues), Denny Weston Jr. (KT Tunstall, Michael Kiwanuka, Goldfrapp), Darby Orr (Kevin Fisher, Gary Myrick), Carl Byron (CALICO the band), A THOUSAND TINY TORCHES is expected for release in early 2020.
Arielle's third album, SOMETHING PRETTY SOMETHING TRUE, was recorded in the blue hours of winter evenings with some of Boston’s best pickers, rockers, and Americana players. Along with her second album, ON THE DASHBOARD OF A SHAKY CAR, both released on independent label Passion Records and co-produced with Passion owner, Chris Florio, her songs were broadcast on AAA, college, and internet radio stations across the US and Canada.
Featuring what The Boston Globe called, “Lovely songwriting and arrangements,” the lush harmonies on SOMETHING PRETTY and DASHBOARD showcase an array of exceptional musicians, including Adam Ollendorff (Kacey Musgraves, Willie Nelson) on pedal steel, dobro, baritone guitar; celloist/singer Lindsay Mac (Michelle Shocked, Catie Curtis); drummer/percussionist Scott Manley (Mare Wakefield, Moving Picture Show); bassist Mariana Iranzi (Golden Nappa Award); jazz trumpeter, Forbes Graham (Wild May, Violetville); and violin/violist Andy Eggleston (The Bluegrass Revolution).
Prior to her move to Los Angeles, Arielle toured extensively through New England, the mid-Atlantic region, and nationally. Her songs have been licensed nationally and internationally for Film/TV, and she has performed for song lovers in house concerts, acoustic listening rooms, and festivals across the U.S., including Club Passim, 12th and Porter, Eddie's Attic, and Genghis Cohen. She has shared stages with many of her favorite songwriters, including America, Elizabeth & the Catapult, Kris Delmhorst, St. Vincent, Jay Nash, Rebecca Loebe, Mare Wakefield, and Kevin Fisher.
Also an essayist and poet, Arielle’s literary work has been nominated for the Pushcart Prize, Best New Poets, and more, and has appeared in Matador Review, Moment, Lilith Magazine, Under The Gum Tree, Brevity, Jet Fuel Review, among others.
Click here for her writing and yoga website and here for her retreats.
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Press quotes
Boston Globe:
"Lovely songwriting and arrangements"
Boston Herald:
"Silver first seduces with a rich, highly emotional voice. Though her arty, lyrical flair reflects Ani DiFranco, Joni Mitchell and even Jane’s Addiction, it’s a very personal modern rock approach."
Performing Songwriter Magazine:
"Silver’s tough-yet-tender vocals move through the space where Lou Reed meets Chrissie Hynde, ensuring that Something Pretty Something True lives up to its name and then some."
Raleigh Spectator (NC):
"Beautifully throaty, melodic voice belting meticulous poems... a truly talented songwriter"
Lancaster Barfly (PA):
"...a patische of finely tuned female-fronted folk rock that hangs around the meeting point between Joni Mitchell, Patty Griffin and Beth Orton."
Folk and Acoustic Music Exchange:
"Vocally akin to Chrissie Hynde with an Armatrading shade and powered by an impressive and expansive folk funk a la Dave Matthews, Silver's first full-length studio CD — recorded 'twixt rush hour and bedtime on Boston's south side' — deserves as much attention as we can manage to give it."
Nashville Songwriter Association International, regional director:
"Sultry vocals, intimate lyrics, layered flawlessly over elegant musical arrangements, make singer/songwriter Arielle Silver's unique style of alternative jazz-infused pop a refreshing and exciting new addition to today's AAA market."
Northeast Performer Magazine:
"poetic lyrics... fantastic songs... this record traverse(s) a range of emotional terrain before the adventure is over."
Indie-Music.com:
"You could fall miles into Arielle Silver’s powerful voice.... [Silver] delves deep into life and extracts the deepest of emotions."
The Noise (MA):
"There’s a perfect voice and perfect musicianship on this... an urgency, passion, and honesty in the voice and intelligence in the writing and arranging... a melancholy that hangs over this that just seems right."